焦点In Focus 阿里云 lit azw3 txt pdf caj 下载 在线

The ***ly political implicati*** of portrait p***ography are perhaps at their most evident in this hefty(seven pounds)and g***eously glossy compilation of work by National Geographic p***ographers.As the frank essays by such p***ographers as Sam Abell,Jodie Jobb and William Albert Allard beginning each chapter reveal,behind the unthreatening National Geographic cameras lenses,often less-than-admirable mechanisms were at work.Stuart Franklin writes of the editorial pressure on p***ographers to provide "pictures of pretty girls" to the point where "hundreds of bare-breasted women,all from poorer countries,were published at a time of booming sub*ion rates." Editor Bendavid-Val writes of National Geographic's propensity for avoiding controversial issues at home in the United States; turmoil has been less thorny to document in faraway places."The emotional distance was easy to maintain in an age when communication was cumbersome and long-distance travel was uncommon." Still,a p***ograph of thieves' severed heads on a billboard in China,or even the p***ograph "Afghan Girl," published in 1985 and arguably National Geographic's most well-known p***ograph,pierce through this self-imposed emotional shield.Beyond the isolationism and ***ism is something oddly moving about this collection of 280-plus portraits: it forms a giant mosaic of American identity,a self-portrait composed of how we look at others.

1 Foreword

2 National Geographic Portraits

3 Before 1930 The Strange and the Exotic

4 1930s-1940s Away from Depression and War

5 1970s-1980s Back to Realism

6 1990s-Present P***ography and Ambiguity

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