HENRI CARTIER-BRESSON SCRAPBOOK 卡特-布里森：剪影 阿里云 lit azw3 txt pdf caj 下载 在线

From Publishers Weekly

Starred Review. Coinciding with a recent exhibition jointly curated by the Fondation Henri Cartier-Bresson and the International Center of P***ography, this splendid selection of more than 300 images presents the iconic French p***ographer's famous 1930s–1940s scrapbook. Published in its entirety for the first time, it contains many of the pictures that cemented Cartier-Bresson's reputation as one of the 20th century's defining image makers. During World War II, the Museum of Modern Art arranged what its curators thought would be a posthumous exhibition of his work, following his capture by the Germans in 1940. Four years later, the museum discovered that Cartier-Bresson had escaped and survived in hiding. He gladly collaborated with MoMA and brought 300 prints in a scrapbook to New York. Now handsomely reprinted, the collection spans from 1932 to 1946, and includes vivid portraits of Matisse, Picasso, Bonnard and Giacometti, as well as street p***ography, assigned p***o essays and reportage of France's tumultuous war years. Image after striking image reveals Cartier-Bresson's c***istency in capturing poignant moments in perfectly composed frames. The scrapbook is notable both for the history and the personalities it records, and for Cartier-Bresson's miraculous ability to be at the right place at the right time. (Apr.)

作者简介：

Michel Frizot is Research Director at the Centre Nationale de la Recherche Scientifique in Paris. He lives in France.

FOREWORD

SCRAPBOOK STORIES

UNPREDICTABLE GLANCES

THE SCRAPBOOK IMAGES

CAPTIONS

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书籍介绍

Henri Cartier-Bresson's famous scrapbook from the 1940s, published in its entirety for the first time. Henri Cartier-Bresson was taken prisoner by the Germans in 1940. After two unsuccessful attempts, he managed to escape in 1943. During this period, the Museum of Modern Art in New York, assuming that the p***ographer had died in the war, started preparing what they thought would be a posthumous exhibition of his work. When he reappeared, Cartier-Bresson was delighted to learn of the exhibition and decided to review his entire oeuvre and curate it himself. In 1946 Cartier-Bresson traveled to New York with about 300 prints in his suitcase, bought a scrapbook, glued in the p***os, and brought that album to MoMA's curators. His exhibition there, a celebration of his survival, opened on February 4, 1947. In the 1990s, Cartier-Bresson once again turned his attention to this scrapbook. Following his death in 2004, the Fondation Henri Cartier-Bresson, the present owner of the prints, finished the job of restoring them, *** it possible to bring a large body of his extraordinary work to the public, images that have now become a memorial collection after all. .