The Burma Chronicles缅甸历代记 阿里云 lit azw3 txt pdf caj 下载 在线

　　A timely and incisive portrait of a country on the tipping point After developing his acclaimed style of firsthand reporting with his bestselling graphic novels Pyongyang: A Journey in North Korea and Shenzhen: A Travelogue from China, Guy Delisle is back with The Burma Chronicles. In this country notorious for its use of concealment and isolation as social control—where scissors-wielding censors monitor the papers, the de facto leader of the opposition has been under decade-long house arrest, insurgent-controlled regi*** are effectively cut off from the world, and rumor is the most reliable source of current information—he turns his gaze to the everyday for a sense of the big picture.

Delisle’s deft and recognizable renderings take note of almsgiving rituals, daylong power outages, and rampant heroin use in outlying regi***, in this place where catastrophic mismanagement and ironhanded rule come up against profound resilience of spirit, expatriate life ambles along, and nongovernmental ***anizati*** struggle with the risk of co-option by the military junta. The Burma Chronicles is drawn with a minimal line, and interspersed with wordless vignettes and moments of Delisle’s distinctive slapstick humor.

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Born in Quebec City in 1966, GUY DELISLE spent a decade working in animation in Europe and Asia. In 2005–2006, he accompanied his wife, an administrator for Doctors Without Borders, on a fourteen-month posting in Burma.

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在一个没有新闻自由的国度，流言就是王道。

很奇怪，看电视的时候感觉一切都很遥远，但其实就是发生在我们身边的人和事。

我想起了乔治·奥威尔，他19岁时曾被派到这里，在皇家警察部队当军官。在缅甸的经历让他认识到了殖***义罪恶的一面，于是他借着去欧洲休假逃离了部队。

书籍介绍

A timely and incisive portrait of a country on the tipping point After developing his acclaimed style of firsthand reporting with his bestselling graphic novels Pyongyang: A Journey in North Korea and Shenzhen: A Travelogue from China , Guy Delisle is back with The Burma Chronicles . In this country notorious for its use of concealment and isolation as social control—where scissors-wielding censors monitor the papers, the de facto leader of the opposition has been under decade-long house arrest, insurgent-controlled regi*** are effectively cut off from the world, and rumor is the most reliable source of current information—he turns his gaze to the everyday for a sense of the big picture. Delisle’s deft and recognizable renderings take note of almsgiving rituals, daylong power outages, and rampant heroin use in outlying regi***, in this place where catastrophic mismanagement and ironhanded rule come up against profound resilience of spirit, expatriate life ambles along, and nongovernmental ***anizati*** struggle with the risk of co-option by the military junta. The Burma Chronicles is drawn with a minimal line, and interspersed with wordless vignettes and moments of Delisle’s distinctive slapstick humor.