Richard Wollheim on the Art of Painting : Art as Representation and Expression理查德·魏赫姆论绘画艺术 阿里云 lit azw3 txt pdf caj 下载 在线

Richard Wollheim is one of the dominant figures in the philosophy of art, whose work has shown not only how paintings create their effects but why they remain important to us. His influential writings have focused on two core, interrelated questi***: How do paintings depict? and how do they express feelings? In this collection of essays a distinguished group of thinkers in the fields of art history and philosophical aesthetics offers a critical assessment of Wollheim's theory of art. Among the themes under discussion are Wollheim's explanation of pictorial representation in terms of seeing-in, his views of artistic expression as a type of complex projection, and his notion of the internal spectator. In the final essay Wollheim himself responds to the contributors. This book will be eagerly sought out by all serious students of the theory of art, whether in departments of philosophy or art history.

List of contributors

Relevant works by Richard Wollheim and their abbreviati*** as used in this volume

Preface

Introduction

Rob van Gerwen

Part Ⅰ.Representation:

　1.On pictorial representation Richard Wollheim

　2.Wollheim on pictorial representation Jerrold Levinson

　3.The limits of twofoldness: a defence of the concept of pictorial thought Andrew Harrison

　4.A hypothesis about seeing-in Monique Roelofs

　5.Communication and the art of painting Anthony Savile

　6.Twofoldedness: from transcendental imagination to pictorial art Paul Crowther

Part Ⅱ.Expression:

　7.Wollheim on correspondence, projective properties and expressive perception Malcolm Budd

　8.The artistry of depiction Michael Podro

　9.Style and value in the art of painting Carolyn Wilde

　10.Expression as representation Rob van Gerwen

　11.Wollheim on expression (and representation) Graham McFee

Part Ⅲ.The Internal Spectator:

　12.Viewing *** painting Svetlana Alpers

　13.The staging of spectatorship Renee van de Vall

　14.Presentation or representation Susan L.Feagin

　15.The case for the internal spectator: aesthetics or art history? Caroline van Eck

　16.The spectator in the picture Robert Hopkins

　17.A word on behalf of 'the merely visual' Michael Baxandall

Part Ⅳ.Reply:

　18.A reply to the contributors Richard Wollheim

Bibliography

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书籍介绍

Richard Wollheim is one of the dominant figures in the philosophy of art, whose work has shown not only how paintings create their effects but why they remain important to us. His influential writings have focused on two core, interrelated questi***: How do paintings depict? and how do they express feelings? In this collection of essays a distinguished group of thinkers in the fields of art history and philosophical aesthetics offers a critical assessment of Wollheim's theory of art. Among the themes under discussion are Wollheim's explanation of pictorial representation in terms of seeing-in, his views of artistic expression as a type of complex projection, and his notion of the internal spectator. In the final essay Wollheim himself responds to the contributors. This book will be eagerly sought out by all serious students of the theory of art, whether in departments of philosophy or art history.