The Magic Mirror of M.C. Escher [25th Anniversary Edition] 艾歇尔 阿里云 lit azw3 txt pdf caj 下载 在线

"A woman once rang me up and said, 'Mr. Escher, I am absolutely crazy about you***ork. In your print Reptiles you have given such a striking illustration of reincarnation.' I replied, 'Madame, if that's the way you see it, so be it, '" An engagingly sly comment by the renowned Dutch graphic artist Maurits Cornelis Escher (1898-1972)--the complex ambiguities of whose work leave hasty or single-minded interpretati*** far behind. Long before the first computer-generated 3-D images were thrilling the public, Esche***as a master of the third dimension. His lithograph "Magic Mirror" dates as far back as 1946. In taking that title for this book, mathematician Bruno Ernst is stressing the magic spell Escher's work invariably casts on those who see it. Ernst visited Escher every week for a year, systematically talking through his entire oeuvre with him. Their discussi*** resulted in a friendship that gave Ernst intimate access to the life and conceptual world of Escher. Ernst's account was meticulously scrutinized and made accurate by the artist himself. Escher's work refuses to be pigeon***d. Scientific, psychological, or aesthetic criteria alone cannot do it justice. The questi*** remain. Why did he create the pictures? How did he c***truct them? What preliminary studies were necessary before he could arrive at the final version? And how are the various images Escher created interrelated? This book, complete with biographical data, 250 illustrati***, and explicati*** of mathematical problems, offers answers to these and many other questi***, and is an authentic source text of the first order.

Part One: Drawing is deception

The Magic Mirror

The Life of M.C. Escher

An Artist Who Could Not Be Pigeon***d

Contrasts in Life and Work

How His Work Developed

Drawing Is Deception

The Art of the Alhambra

Explorati*** into Perspective

Stamps, Murals, and Bank Notes

Part Two: Worlds that cannot exist

Creating Impossible Worlds

Craftsmanship

Simultaneous Worlds

Worlds That Cannot Exist

Marvelous Designs of Nature and Mathematics

An Artist's Approach to Infinitv

Index of Illustrati***

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想想吧，我花了整整一个月的时间，中间没有片刻的休息，就在想着那幅画，我的试验还没有一个是看起来轻松简单的。一副好画的前提是 - 我说的“好”是指这幅画能够在广泛的公众中获得反响，公众并不懂得数学反转，所以必须以简单扼要、明确无误的方法表达出来 - 不能耍任何花招，也不能与现实脱离适当的显而易见的联系。你几乎想象不到这些“大众”的头脑有多懒惰。我注定会让他们震惊；但如果我的目标太高，就会无功而返。

书籍介绍

“A woman once rang me up and said, ‘Mr. Escher, I am absolutely crazy about you***ork. In your print Reptiles you have given such a striking illustration of reincarnation.’ I replied, ‘Madame, if that’s the way you see it, so be it.’” An engagingly sly comment by the renowned Dutch graphic artist Maurits Cornelis Escher (1898–1972)―the complex ambiguities of whose work leave hasty or single-minded interpretati*** far behind. Long before the first computer-generated 3-D images were thrilling the public, Esche***as a master of the third dimension. His lithograph Magic Mirror dates as far back as 1946. In taking that title for this book, mathematician Bruno Ernst is stressing the magic spell Escher’s work invariably casts on those who see it. Ernst visited Escher every week for a year, systematically talking through his entire œuvre with him. Their discussi*** resulted in a friendship that gave Ernst intimate access to the life and conceptual world of Escher. Ernst’s account was meticulously scrutinized and made accurate by the artist himself.

Escher’s work refuses to be pigeon***d. Scientific, psychological, or aesthetic criteria alone cannot do it justice. The questi*** remain. Why did he create the pictures? How did he c***truct them? What preliminary studies were necessary before achieving the final version? And how are the various images Escher created interrelated? This book, complete with biographical data, 250 illustrati***, and explicati*** of mathematical problems, offers answers to these and many other questi***, and is an authentic source text of the first order.