C***table (Temporis) 康斯特布尔 阿里云 lit azw3 txt pdf caj 下载 在线

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C***table (Temporis) 康斯特布尔书籍详细信息

  • I***N:9781859959251
  • 作者:暂无作者
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  • 出版时间:2004-11
  • 页数:207
  • 价格:292.00
  • 纸张:铜版纸
  • 装帧:精装
  • 开本:8开
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内容简介:

John C***table (1776–1837) is arguably the best-loved of English artists; his fame and popularity are rivalled only by his great contemporary, JMW Turner. But like Turner, his reputation rests on a handful of very wellknown paintings, normally Suffolk scenes such as Flatford Mill or Hay-Wain. Many of the magisterial producti*** of his last years, including Hadleigh Castle and The Opening of the Waterloo Bridge are a far cry from the Suffolk scenes, whilst his accomplishments within the difficult and competitive genre of marine painting have been c***istently undervalued. Barry Venning’s introduction c***iders C***table background, his family life, his education and the early friendships from which he drew patronage, *** and advice. He discusses the artist’s relati***hip with the great tradition of European landscape painting and examines the historical and cultural context within which C***table lived and worked.


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Barry Venning is an art historian who was educated at the University of York and the Courtauld Institute of Art. He has a particular interest in British landscape painting and has published articles in the Burlington Magazine, Art History and Turner Studi


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书籍介绍

John C***table (1776-1837) is arguably the best-loved of English artists; his fame and popularity are rivalled only by his great contemporary, J M W Turner. But like Turner, his reputation rests on a handful of very well-known paintings, normally Suffolk scenes such as Flatford Mill or Hay-Wain. Many of the magisterial producti*** of his last years, including Hadleigh Castle and The Opening of the Waterloo Bridge are a far cry from the Suffolk scenes, whilst his accomplishments within the difficult and competitive genre of marine painting have been c***istently undervalued. Barry Venning's introduction c***iders C***table background, his family life, his education and the early friendships from which he drew patronage, *** and advice. He discusses the artist's relati***hip with the great tradition of European landscape painting and examines the historical and cultural context within which C***table lived and worked.


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